Paper Cloth Piece

I titled this Paper Cloth Piece because I haven't given it an official name yet. I just finished it yesterday and was really pleased with the results. I count this as my first "successful" paper cloth art. I had tried doing paper cloth before but it always came out stiff and not to my liking at all. This time I used a different glue / water mixture which made the paper cloth soft and pliable. I used tissue paper, napkins and painted coffee filters glued to muslin then machine stitched. I love working with tissue paper and napkins because there are so many colors and designs to choose from. It is soft enough that it left a interesting texture when applied with the glue mixture to the cloth.

Above is a close up. The door and windows are copyright free images that I manipulated in photo shop and printed on cloth. I then used watercolor pencils and gel pens to enhance the colors. To add some depth I cut the paper cloth the size of the door and windows and glued the fabric behind that.
Now that I feel I have mastered the paper cloth construction I want to make more. It was really fun.

Chrysalis

The idea of a chrysalis has been on my mind for a while so I decided to try that idea with some mixed media fiber art. I had a general plan and knew I wanted it to be different from anything I had done before. I wanted to try some different techniques that would be out of my comfort zone. Below is a wire armature with a paper / celluclay molded face.

   

  I molded the celluclay face over a light wire armature then waited for it to dry. This was the first time I worked with celluclay but I can see it is a great medium I will use to add depth to future pieces.   Below is the finished piece.              

    

I covered the wire armature with batting the used my hand dyed gauze to cover and mold around that. I wanted to keep with organic, natural colors of nature so there are different shades of greens, browns and golds. To add some color punch I wrapped pipe cleaners with brighter colors and attached those.   Below is a close up of the face.

   I covered the celluclay with many layers of tissue paper using a matte gel medium. The hair is moss, root and lichen I found on my property. I wove some pieces of the dyed gauze in also.  Below is a side view that shows the wrapped pipe cleaners and green dyed gauze. You can click on the photos to enlarge.                             

Thread Sketched Nude

I wanted to try some more thread sketching but didn't know exactly where I wanted to go with this attempt. So, this piece was a practice piece.I first found a sketch I liked then printed it out on copy paper. I layed muslin over the copy of the sketch and traced over the lines with a light pencil making some alterations in the sketch as I went along. Next I thread sketched the figure with black thread.

Seems my photos always come up too dark but you can see the sketch lines. Moving along. I decided I wanted to do something else to her so I used some acrylic paint to add some detail. Now, Im no painter so this effort is more of a trial for myself in what not to do. I forgot to add a texture medium to the acrylics that makes the paint suitable for fabric. Ooops!  I stitched the background and used some diluted setacolor paint to add color to it. Below is the finished piece.

Below is a close up of the sketch. I haven't named her yet.

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Let Me Remind You of Beginnings

I have been reading a lot about goddesses and their origins in history. The Dance of the Dissident Daughter by Sue Monk Kidd is about her journey to find the Sacred Feminine. I found When God Was A Woman by Merlin Stone at the library book sale which tells the story of the role the goddess played in Judeo-Christian attitudes toward women. It isn't fiction, its history. I have probably posted this sometime in the past but I wanted to do it again to go with a poem I wrote a few years back. I made this piece to accompany the poem. The photo doesn't show the whole piece but below the goddess is the poem I wrote which I transfered to fabric.

Let Me Remind You of Beginnings

Sisters, let me remind you of beginnings,
of the first warm blood that flowed
with the cycle of earth's fertility,
of those wild vines of passion that were
a prelude to your power of seduction,
setting you free to ecstasy.

Remember sisters, the awakening
of your woman spirit,
your rebellion against sameness
that sent your fire into the world
leaping and searing complacency.

Oh sisters, you were not born
to struggle for mediocrity.
You came from fire and ice,
from the belly of Nuit,
goddess of heaven and earth,
you erupted dauntless and shameless
your very breath igniting the cosmos
in the dark night of oppression.

In the beginning of the beginning
you spoke of wisdom and justice
from the mouth of Themis
to save us from the riotous throng
of prophets and saviors,
to lift us above obscure predictability.

Sisters, let me remind you of your true genesis.
You are the infinite mother,
heiress to the universe,
diviner of your own destiny.

Cultures Past and Present

This was my entry into the Texas Museum of Fiber Art exhibit. Sadly, it did not get accepted but it was fun to make and I experimented with some new techniques. Oh well, on to the the next one.

This is a close up of my interpretation of pictographs I have seen in caves in Val Verde county that were painted over 7000 years ago. They are machine and hand embroidered on silk fabric, layered on hand dyed and hand painted fabric.

The lower picture shows fabric weaving using hand dyed silk (upper left) and below that machine stitched symbols of our different beliefs.

The faces were machine stitched on silk fabric(sorry the photo is dark). Details were done with a micron pen. Strips of fabric were torn and cut then attached to wrapped pipe cleaners.

The hanging cord was painted then wrapped and knotted with yarns and threads.

Fiber Art Workshop with Lisa Kerpoe

I recently attended a fiber art workshop at the Hill Country Arts Foundation in Ingram, Tx. with fiber artist, Lisa Kerpoe.The three day workshop included dyeing fabric using prochem dyes, single and double plate monoprinting, gelatin monoprinting and much more. Lisa taught us many techniques within all those methods. You can see her website and blog by clicking on her name on my blog lists. I have included some photos of the fabric I dyed, painted and monoprinted in the workshop. The top photo shows a double plate monoprint on black fabric with metallic paints. The one on the left was dyed then monoprinted. The lower photo is a group of small pieces that were dyed.

Painted Silk and Cotton Fabric

I love resale shops and thrift stores. I find the most interesting things there. Don't disregard the discarded or recycled treasures. I found some 100% silk shirts recently and had to give them a new home. I cut up the white one and painted the pieces using pebeo setacolor transparent paints(in the lower photo). I lightly sprayed the pieces with water and painted some with a foam brush and others with a bristle brush. I have to be careful when I put colors next to each other that they don't turn into mud. Yikes!! I used paint straight from the jar to get more vibrant colors. The marbled one was done with shaving cream marbleing. The upper photo shows some cottons that were done the same as the silk fabric. They may not show well in the photo but I was pleased with the results.